Remember Me. The collection spans from works of the s, featuring artists such as Bruce Nauman, Carolee Schneemann, Jack Smith, and VALIE EXPORT, to contemporary pieces by Arthur Jafa, Anne Imhof, and Kandis Williams. The reference library offers key publications on collection artists as well as art-theoretical texts on philosophy and aesthetics. Around thirty-five percent of the nearly 1, works by artists are accessible online on our website and at the collection locations in Düsseldorf and Berlin. After inaugurating the Research Room in Düsseldorf inregistered visitors in Berlin can now access the complete holdings of the collection, including works not currently on public display. Open Monday to Friday, 11 a. To register, please email [email protected] and provide the following information:. AFTER IMAGES features over 30 works, including six new commissions and interventions that embrace an expanded definition of time-based art. The group exhibition AFTER IMAGES proposes a recalibration of our relationship to seeing and to contemporary image culture. Departing from image-based practices like film and video, for which the Julia Stoschek Foundation is best known, the exhibition expands the visual realm to encompass the haptic and the multisensorial, and moves from the space of the screen to the embodied and experiential path of the visitor. The featured works introduce a broad definition of time-based art, to include kinetic sculptures, sound and light installations, film-based installations, olfactory interventions, scores, and extended reality. Artist list: Jo Baer, Rosa Barba, Theresa Baumgartner, Paul Chan, Trisha Donnelly, Laurel Halo, Lotus L. A Julia Stoschek Foundation podcast available on Soundcloud, Apple Podcasts, and Spotify. Brutaler Gay Rape Porn include Salim Bayri, Marilena Borriello, Nao Bustamante, peter campus, Greg de Cuir Jr. LYNN HERSHMAN LEESON: ARE OUR EYES TARGETS? The Julia Stoschek Foundation Brutaler Gay Rape Porn also open the group exhibition DIGITAL DIARIES in Düsseldorf with works by twelve artists and one collective that examine the use and transformation of diaries in video and other technologies of representation from the s onward. Since Septemberthe Julia Stoschek Foundation presents a series of solo presentations by emerging artists called DOUBLE FEATURE, which takes place across JSF Berlin and Düsseldorf simultaneously. For the second iteration of Double Featurethree films by French artist and poet Tarek Lakhrissi will take center stage. Through text, film, installation, and performance imbued with speculative potential, Lakhrissi explores sociopolitical narratives that relate to diasporic and queer embodied experience in Europe. Lakhrissi often sets his work in surrealist environments and gives them magical attributes, with an approach that seeks to transform situations. Since Septemberthe Julia Stoschek Foundation presents a new series of solo presentations by emerging artists called DOUBLE FEATURE, which will take place across JSF Berlin and Düsseldorf simultaneously. For its inaugural edition, Berlin-based artist Young-jun Tak presents two recent films, Wish You a Lovely Sunday and Wohin? Both shot in Berlin, these works consider how place, architecture, movement, and belief inform community and queerness. Die Kunstakademie Düsseldorf und die Julia Stoschek Foundation geben langfristige Kooperation bekannt. Im Rahmen des jährigen Jubiläums der Kunstakademie Düsseldorf geben die beiden Institutionen, initiiert durch die Klassenprojekte der Jahre und durch Robert Fleck, der die Studierendenprojekte mitbetreut, eine längerfristig angedachte Kooperation in verschiedenen Bereichen bekannt. Den Auftakt bildet ein Screeningprogramm, das drei anlässlich des Kunstakademie-Jubiläums realisierte Projekte von Studierenden der Kunstakademie Düsseldorf im Kino der JSF vorstellt. Starting 2 September11 a. JSF Düsseldorf. To celebrate the closing of the first European solo exhibition Brutaler Gay Rape Porn the pioneering video and performance artist Ulysses Jenkins, the Julia Stoschek Foundation is happy to announce two consecutive evening programs on 26 and 27 Julyfrom — p. David OReilly began his career as an artist working as an animator and is especially known for his short films. In the computer game Everythingon view at JSF Düsseldorf, players can travel through the universe and take on the roles of various animals, plants, and other things, giving them the ability to see the world from different perspectives and to change between various micro- and macrocosms. The starting point of the video game installation Nobody Knows for Certain by Indian artist Afrah Shafiq is the historical cultural exchange between the former USSR and the region of South Asia. Slavic fairy tales and Soviet stories play a central role in the childhood memories of the generation that grew up in India between the s and mids. In Nobody Knows for CertainShafiq uses this material to create a unique narrative in which she critically reflects on folkloristic fairy tales and examines their philosophy and politics from the perspective of the present. In the audioreactive AI installation Anhad by Sahej Rahal, a sensitive artificial intelligence program in the form of an unknown being reacts to sound stimuli from the outside world such as sounds made by visitors to the exhibition. The organism seems to disregard all comprehensible hierarchies and reacts without judging the information—a practice that no human is capable of. In Pierre Huyghe and Brutaler Gay Rape Porn Parreno bought the rights to a virtual avatar that was originally developed for computer games. A comprehensive exhibition catalog will reflect on the research project and give various perspectives on the phenomenon of gaming. Please join us for the first institutional solo exhibition by the collective LA HORDE will feature a selection of video installations that stem from their choreographic practice rooted in ritual, classical dance, subcultures, and the everyday. Starting 5 Marcha. Central to the concept of the exhibition, which has been on view since Juneis to constantly augment it with new works. The focus of the ongoing investigation is the relationship between gaming and time-based media art. Like many games themselves, the exhibition started as one version of itself, and through feedback, our research—which includes studio visits with artists on all continents—it grows and changes into an altered and expanded version.
UTHCO THE ETERNAL FRAME. PDF Büro der Vereinten Nationen für Drogen- und Verbrechensbekämpfung , S. Alle Marken sind Eigentum ihrer jeweiligen Besitzer in den USA und anderen Ländern. Band , Nummer 2, August , S. Invited by the artist, two choreographers and two dancers were paired to create a new choreography for each space and assigned a different Bach piano piece for four hands.
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